Capturing the city's relentless energy and vibrancy of São Paulo, Marcelo Caetano’s gripping drama focuses on those who inhabit the outskirts of an perpetually shifting metropolis. Fresh out of juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) finds himself at a crossroads; abandoned by his parents, the innocent young man finds solace in the arms of others.
On an night on the town with his boisterous group of gay and non-binary friends, Wellington encounters Ronaldo (Ricardo Teodoro), a muscular, charming hustler more than twice his age. Illuminated by the flickering glow of a XXX cinema, their first meeting is intimate and charged, with an hint of risk. Ronaldo promptly ushers Wellington to the clandestine realm of the sex trade and narcotics trafficking.
Caetano depicts Wellington’s new life of crime with gentle sympathy as opposed to as a sensationalist cautionary tale. Now using the alias Baby, he approaches his transactional encounters with swaggering confidence and touching naivety. To his patrons, Wellington provides not just his youth and his body, but also fleeting acts of kindness.
In the feverish excitement of São Paulo, teeming with busy lanes and brightly painted facades, there’s a persistent isolation, as adrift individuals hold fast to one another for momentary bliss.
"The city might be filled with danger, yet they are the place where they can discover chosen kin, too."
Ronaldo is simultaneously a partner and a sheltering paternal presence to Wellington, but their bond is sabotaged by envy and financial instability. Dangers posed by nefarious characters in the criminal underworld pale in comparison to the dread of government monitoring and jail time, epitomized by the constant sight of police officers making their rounds.
Baby is most powerful as a perceptive study of the forgotten souls who have slipped through the gaps the social system. The film ultimately serves as a poignant examination into resilience, chosen family, and the search for identity within a unforgiving urban landscape.
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David Smith
| 04 Sep 2026
David Smith
| 04 Sep 2026